Beatles FAQ

Photo by Saubhagya gandharv on Unsplash George Harrison’s first serious attempt at an ‘Indian’ composition had the unpromising working title of “Granny Smith”. George revealed his 'difficulty with words' in an interview with Maureen Cleave for the London Evening Standard in February 1966. He wishes he could write fine songs as Lennon and McCartney do, but he has difficulty with the words. “Pattie keeps asking me to write more beautiful words,” he said. He played his newest composition… ’Love me while you can: before I’m a dead old man…’ George was aware that these words were not beautiful. Evening Standard readers may have had the impression that “Love You To” was a love song celebrating George’s recent marriage to new Pattie (Boyd). The couple had, after all, just returned from honeymoon in the (then) impossibly glamorous Barbados. Perhaps more pertinent, however, was another Maureen Cleave’s observation from the same interview. Indian music and culture, she noted, “has give...

Indian restaurant scene from Help! (1965 The first time George Harrison saw a sitar was on the set of Help in April 1965. A group of Indian musicians had been recruited to add an authentic Indian ambience to the restaurant scene. They played a  a Beatles medley ('Another Hard Day’s Night')   using  sitar, flute, tabla, ghunghroo and tanpura.  These session musicians performing Beatles songs in an Indian style were also being employed for comic effect but to his surprise, Harrison found himself entranced by the sound. ‘George was fascinated by the instruments they used,’ John Lennon later reported. He wanted to hear more and over the next few months Harrison began researching traditional Indian music.  Ravi Shankar The Beatles guitarist discussed his new interest with David Crosby, who toured the UK with The Byrds in August 1965. Crosby told him about Ravi Shankar, then virtually unknown outside India. Crosby also lent Harrison a Shankar LP that he ‘carried in hi...

  Mount Pleasant Registry Office, Liverpool. August 23rd 1962

We were the best live band in the world before we were famous. Nobody could touch us  John Lennon.

  The Beatles first flew into New York in February 1964. They had what to many American ears was a charmingly fresh approach to the  English language.  Interestingly, this came across more in their spoken interviews than their lyrics. Early Beatles songs consciously followed the established 'American' style: 'I Wanna Be Your Man'. In fact 'I want to hold your hand' arose from a direct request from Brian Epstein for a single tailored to the US market.  Atlantic Crossing Success gave The Beatles to licence (or license!) to 'act naturally' as their song put it.  They were influenced by Dylan's looser 'freewheeling' approach but could not draw on the same Americana heritage, even at one remove. We now know that Dylan was not a former f reight-train riding  hobo but he looked the part. Part of the appeal of The Beatles was that they loved America but clearly did not come from it. Made in Britain On occasion Paul McCartney did write in a directly A...

 

The B842, Kintyre, Scotland

The Beatles first met Dylan during their second visit to the US in August 1964. He came to visit them  in their suite at the Delmonoco Hotel in New York, accompanied by his friend Al Aronowitz.  Eager to please their super-hip guests, The Beatles offered Dylan and champagne and amphetamines. Dylan said that he only drank cheap wine and suggested that they ‘smoke some grass’ Brian and the Beatles looked at each other apprehensively. “We’ve never smoked marijuana before,” Brian finally admitted. Dylan looked disbelievingly from face to face. “But what about your song?” he asked. The one about getting high?” The Beatles were stupefied. “Which song?” John managed to ask. Dylan said, “You know…” and then he sang, “and when I touch you I get high, I get high…” John flushed with embarrassment. “Those aren’t the words,” he admitted. “The words are, ‘I can’t hide, I can’t hide, I can’t hide…'”    From The Love You Make Peter Brown Let's not Twist again In fact,  accordin...