Beatles FAQ

On 29 September, I967, John Lennon worked with George Martin and the Abbey Road sound engineers on a potential new Beatles single.

Reluctant Santas: Beatles Christmas Show at the Cavern 1961 December 1961 brought a packed gigging schedule.  Christmas boiled dow to to a single day off for turkey and flopping on the sofa in paper hats. On December 9th The Beatles signed contracts appointing Brian Epstein as their new manager. Epstein then gave each a pointed Christmas gift — a travel alarm clock. Attached was a business card with the message: ‘My little bit to get you all on time.’ This alluded to their chaotic timekeeping — Paul McCartney had infamously been having a bath during one crucial meeting. But as Lewisohn points out, it offered hope that they would be ‘going places’. Christmas 1961 — Beatles upstaged by BOXING NIGHT On December 27, the coldest night in a decade, The Cavern held a Beatles Christmas Party. It got off to a rocky start when Pete Best phoned in sick. Who could stand in on the sticks? Well, there was their new pal from Hamburg, who happened to have a night off from Hurricane duties. The gig wen

In December 1960 The Beatles returned to Liverpool from Hamburg, where they had built a reputation as a live act.  This earned them a prestigious new date for 27 December 1960 as the headliners at the Litherland Town Hall Ballroom. This was arranged by the influential local DJ, Bob Wooler — months later the victim of an infamous assault by John Lennon. Wooler announced them on stage in typically hyperbolic fashion: Direct from Hamburg — the sensational BEATLES The performers on stage were dressed in black leathers and drainpipe trousers. They had American guitars and amps and seemed from another more exotic world. Some in the crowd were amazed that these strange Germans spoke to the audience in fluent Scouse speakers, . To a roar from the packed hall, Paul launched into Little Richard's Long Tall Sally. 

British album releases generally did not include singles

George in the room above the Bambi Kino cinema George Harrison was seventeen when he first arrived in Hamburg in August 1960. Though legal the age limit for performers was eighteen  club owner Bruno Koschmider was initially unconcerned.  It was when The Beatles jumped ship to work at the bigger Top Ten that Koschmider found his conscience stirred. He then informed the police of his shocking discovery. Those devious Englishmen had an underage performer in their ranks . pen & ink sketch of Hamburg club owner Bruno Koschmider (1926-2000) The police duly deported Harrison on November 21. The guitarist spent his last night teaching John Lennon his parts before reluctantly packing a " crappy suitcase and things in boxes, paper bags with my clothes in, and a guitar." Homeward bound The logistics of getting home proved challenging, as George related in Anthology: Astrid and Stuart dropped me at Hamburg station. It was a long journey on my own on the train to the Hook of Holland.

  Outside Paul's family home in the early 1960s Soon after first seeing them at the Cavern, Brian Epstein invited The Beatles for a formal meeting at his office. This was arranged for the afternoon of Sunday 3rd December 1961 at 4.30. Epstein wanted to manage the band but had doubts about their reliability and professionalism. The Beatles for their part had achieved success in Hamburg and Liverpool but had no record deal or national profile John, George and Pete took the bus to the meeting. They arrived on time - but after forty five minutes there was still no sign of Paul.  A call was made to the McCartney family home. This revealed that  Paul had just got up and was having a bath. Epstein exploded, "How can he be so late for such and important meeting?"     To which Harrison famously replied, "He may be late but he's very clean".  A frosty silence melted into laughter. Why was Paul so  late? On one level Paul's lateness was symptomatic of  what Epstein

"We all play on it, i t’s a genuine Beatles recording .  ” Paul McCartney Is Now and Then  a 'genuine Beatles recording' ? via  Henry Grossman/Wikimedia Commons  and Apple Corps For Paul McCartney the defining component is the presence of all four Beatles in the final mix. This may be stretching a point in that only John Lennon recorded the de facto master tape, namely the demo cassette recorded in his apartment.  It is true that The Beatles recording process was often fragmented. Though they  largely recorded early tracks ‘as live’, improvements in multi-tracking meant that they later relied heavily of recording segments which were later assembled in collaboration with the Abbey Road engineers.  Frequently, two or three band members would work on a particular track. Some recordings, like Yesterday (Paul) and Love You Too (George) had only one of the four on the final recording, while three  contributed to Free as a Bird during the Anthology sessions. Few, however, would

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Excluding Maggie Mae - the traditional folk ballad featured on Let it Be  - The Beatles officially released twenty-four cover versions of songs by other artists between 1962 and 1970. 

"one of the Beatles most dispensable items". [8] Run for Your Life’, I always hated ... because it was a song I just knocked off Lennon Remembers Few would argue with this assessment. Thomas Ward diplomatically suggests that it is one of the Beatles most dispensable items".[8] while Ian MacDonald is characteristically forthright ('a dismal track'). 'Run for Life' was the first song recorded for what would become Rubber Soul. It was 'knocked off' during a break between the filming of Help and their return to Abbey Road in October 1965. Words One reason Lennon was later embarrassed by the song was what MacDonald calls its 'lazily sexist lyric'. Even allowing for the different social climate, 'you better run for your life ... or that's the end' has an unpleasant menacing edge. The words and the sentiment came from the old Elvis song 'Baby, Let's Play House'. There was a line on it; I used to like specific lines from

The Beatles cheerfully sang 'Roll Over Beethoven' in their pre-fame stage show. The Chuck Berry anthem also appears on their second album. But if Ludwig was not safely out of copyright, his legal team would most likely have a solid royalties claim. In one of his last interviews, John Lennon revealed how the great German composer provided direct inspiration: I was lying on the sofa in our house, listening to Yoko play Beethoven's - Moonlight Sonata, on the piano. Suddenly I said, 'can you play those chords backwards'. The Beatles version retains the key and key change, plus the pattern of arpeggios. Lennon also added some bass notes and of course and a lyric which he claimed was ' clear, no bullshit, no imagery, no obscure references.' You won't find that kind of language in Fidelio but there is arguably a similarity of intent across the centuries. .

People always ask us how we sit down and write a song. Well, first we sit down. Then we write a song. 

Richard with his mother, Elsie The then Richard Starkey experienced two major medical episodes. According to Lewisohn, Richard Starkey was 'a robust infant' but fell 'dangerously ill in the early summer of 1947'.  Rushed by ambulance to the Royal Liverpool Children's Hospital, the six-year-old was diagnosed with acute appendicitis. An operation revealed that the appendix had burst causing infected peritonitis. As he was wheeled into theatre, Richard requested a cup of tea.  The nurse responded, 'When you come round,'  She kept her promise but it was ten weeks before Richard got his tea. In that time, his mother Elsie was told three times that he would not survive the night. One of these occasions was the eve of his seventh birthday. He continued to slip in and out of consciousness for several months. Even when he left hospital at the beginning of 1948, convalescence from his surgical wounds was slow and painful. There was also a set back which prolonged his

The Everton area of Liverpool, 1960 All four Beatles had what Mark Lewisohn calls ‘unvarnished working-class roots in an industrial city that had seen better days.' They grew up in different areas of Liverpool, though Paul and George attended the same secondary school and John and George (briefly) went to the same primary school. John had a difficult childhood in emotional terms, but essentially grew up in a middle class suburb with his Aunt Mimi and Uncle George. Paul's first impression of his family were that they were 'very posh'. Paul and George both lived in council house (social housing) but neither considered themselves poor. Like John they went to a school with a very good reputation for academic achievement. This suited Paul but George was more disaffected. Working class hero The house where Ringo lived Copyright Pernille Eriksen — reprinted with permission —  prints available One future Beatles did experience a Dickensian childhood combining poverty, ill healt

Tabla - traditional Indian instrument

Beatles final meeting? The last time we can be certain that all four Beatles met together was for the final recording sessions for  Abbey Road. This   took place between on Wednesday 20 August, when various tracks were finished, including 'Here Comes the Sun' and, fittingly 'The End'.  Two days later they completed their final final official engagement together - a photoshoot which was held at the new Lennon-Ono residence Tittenhurst Park in Ascot - see here .   At the end, they wandered away in different directions.  The Meeting With recording duties completed, they were pretty much done. Only a final round of business meetings forced them them to meet again.  The key one was on September 20. This was when Alan Klein, now representing John, Paul and Ringo presented the new contract he had negotiated with Capitol Records.  George was absent. Despite the smiling publicity shot, the atmosphere was tense. At one point John announced that he was leaving The Beatles.  The no

The Beatles famously brought LSD to public attention. Less well known is that George Harrison became rapidly disillusioned about the effects of the drug on young people exposed to it. His last LSD trip was in the late summer of 1967. In Anthology , George confirms Derek Taylor's earlier revelation it that was a trip of the legal type that  changed his perspective.  In August 1967 he made an impromptu personal visit to Haight Ashbury, San Francisco. This was the epicentre of the supposed cultural revolution but what greeted was sordid and threatening.  We were expecting Haight-Ashbury to be special, a creative and artistic place, filled with Beautiful People, but it was horrible - full of ghastly drop-outs, bums and spotty youths, all out of their brains .    Source With the crowd building, Taylor began to fear for their physical safety: Read full story - 3 minute free read on Medium

  Despite their local success in Liverpool and Hamburg — and Brian Epstein’s best efforts — The Beatles struggled to get their first recording contract.

The last time The Beatles played together for an audience was in the famous rooftop performance in January 1969. This was not, however, a concert in the conventional sense, with tickets available to the public.  August 29th, 1966 — Candlestick Park in San Francisco The Beatles’ last ever US date proved a downbeat occasion. It was held in the Giants stadium, a particularly unsuitable venue. A huge fence separated the crowd from the band and there were chaotic dressing room arrangements. Despite the continuing popularity of the band, only 25,000 of the 42,000 seats were sold — partly because of high prices. The disconnect between young fans and now forbiddingly remote idols is made apparent by concert’s compere ‘Emperor’ Gene Nelson: Candlestick Park in August, at night, was cold, foggy and windy. …The Beatles were taking their time to get out. I was trying to entertain a crowd that was shouting, ‘Beatles, Beatles, Beatles.’ The dressing room was chaos. There were loads of people there.

Nam Ngô Composition has always been  an instinctive process for Paul McCartney, with inspiration coming from unlikely sources:

  John Lennon and Paul McCartney wrote a large number of songs in their teens - up to 200 according to some estimates. Many disappeared without trace - a Wimpole Street spring clean by Jane Asher put paid to a pile written on scrap paper.  Others, like Lennon's  'Hello Little Girl' f eatured in their live act but were then given to other artists to cover. These were generally off-cuts not deemed quite up to scratch, though arguably some like   'World Without Love ' and ' Love of the Loved'  deserved a seat at the top table.  Songs revived and recorded By  Beatles For Sale  Lennon & McCartney were exhausted and running out of new material. At this point Paul revisited  'I'll Follow the Sun'  which he had written in the year following his mother's death. “I wrote that in my front parlour in Forthlin Road,” McCartney told Mark Lewishon. “I remember standing in the parlour, with my guitar, looking out through the lace curtains of the window,

John Lennon teases clue seekers and his bandmate  Written days after the death of Brian Epstein, the lyrics of 'I am the Walrus' have confused everyone, including their author - read full story here In his 1971  Rolling Stone  interview, Lennon tries to explain the McCartney reference in Glass Onion:  Here's another clue for you all. The Walrus was Paul.  Is Lennon teasing his bandmate? Or having a pop at the rapidly growing army of conspiracy theorists? Interestingly, Glass Onion was a genuine collaboration between John and Paul. The theme (an attack on the 'pseuds' over-interpreting Beatles' lyrics) sounds typical of Lennon but in fact came from McCartney. Their relationship was fraying but here they come together in a howl of complaint about how Beatles' lyrics were avidly scoured for hidden messages.   Ian Macdonald disapproves. He suggests that the 'sour A minor melody' and snarling tone of the song express the intent of they lyric" - a 

Worldwide sales of physical singles are difficult estimate accurately but we can say the following

John's harmonica playing was a key feature of several early Beatles tracks - most notably on Love Me Do and Please Please Me. By 1964 however, he was becoming increasingly wary of using it as a lead instrument. “So we started using [the harmonica] on ‘Love Me Do’,’ just for arrangement, because we used to work out arrangements … And then we stuck it on ‘Please Please Me’ George Martin liked the distinctive element that the harmonica added. He encouraged The Beatles to use it in the following two single. They did so reluctantly. and then we stuck it on ‘From Me to You,’ like that. … It went on and on, it got into the gimmick, and then we dropped it. It got embarrassing.” Dylan  There was another reason why the harmonica was became personally embarrassing for John Lennon. This was that Bob Dylan was so closely associated with the instrument. Lennon's musical relationship with Dylan was always uneasy. The harmonica was never fully put away, however. It plays a striking role in dri

The Beatles had started by playing church halls, coffee halls and even private homes. Their Ed Sullivan appearance in February 1964 opened a huge new market had opened only  confined by size of concert venues available. 

Gets you a nice car, though Candle in the Wind/Goodbye England's Rose by Elton John is the fastest ever selling single in the UK o date. Released on the 13 September 1997, a week after the funeral of Princess Diana, it sold 658,000 in a single day. Over the week this figure rose to 1.55 million, but then fell rapidly. Profits for  Candle in the Wind/Goodbye England's Rose were donated to charity. It was not a commercial release in this respect - and has been treated as a memorial subsequently.  Can't Buy Me Love In terms of worldwide sales,  Can't Buy Me Lov e holds the Guinness World Record for the fastest selling single. The first new release following The Beatles visit to America in February 1964, its advanced sales were an unprecedented 2.7 million. Released on March 21, 1964, it was No. 1 for five weeks on the Billboard Hot 100. It  stayed on the chart for a further 10 weeks.  In the U.K, “Can’t Buy Me Love” peaked at No. 1 for 3 weeks on the official charts. But

  Photo by Mick Haupt on Unsplash Until the late 1960s singles by The Beatles singles far outsold their LPs . This was the standard pattern of record sales at that time. LPs were considered a luxury item and generally beyond the reach of most teenagers.  That said, The Beatles did have an unusual multi-generational appeal. And the kids who bought their singles would later come back to buy not just the studio albums but various compilations. From  Statista Studio Albums The Beatles officially released  13  studio  albums between 1962 and their break up. Over time  the biggest selling has been  Sgt. Pepper’s Lonely Hearts Club Band  (1967). This has sold an estimated 32 million In the 1990s they released three anthology albums. Compilations The best selling was  Number 1s,  a compilation of singles. This was only released in 2000, thirty years after the band last recorded together.  Two double albums summarising their career:  The Beatles/1962-1966  and  The Beatles/1967-1970  sold very

  None of it was written down by us. It’s basically notation. That’s the bit I can’t do. Paul McCartney (2018 ) The Beatles did not read or write music . Musical scores were of little functional use to them, but Paul McCartney did put one to practical use. In 1968 he was visiting the house he had bought for father on the Wirral. His step-sister had left some sheet music on the piano. Paul was, of course, unable to decode ‘the dots on the page’ but the title of the piece intrigued him. Cradle Song? It suggested a lullaby, so Paul began creating a new melody, which he memorised. This was the foundation for Golden Slumbers in the medley on Abbey Road. Why did The Beatles never learn to read or write music?

  The name change from the original The Quarry Men to The Beatles went through many stages and spellings. Some ludicrous options were considered or even used on occasion. : Johnny and the Moondogs, the Beatals, the Silver Beetles, the Silver Beats are notorious examples.  None of these monikers was as bad as The Beat Brothers. Yet this was the name that appeared on the first records John, Paul, George (and Pete) recorded for Polydor in 1961.  German Polydor producer (and celebrated musician) Bert Kaempfert wanted to cash in on Tony Sheridan's (modest) fame.  Sheridan, very shrewd in most musical matters, had old-school preconceptions about showbiz names.  He dropped his own real surname (McGinnity) when first appearing on Ready Steady Go. The Beat Brothers, he argued, would have more market appeal than the weird sounding The Beatles. Subsequent record-sales spectacularly refuted this thesis. 

He blew his mind out in a car  He didn't notice that the lights had changed A crowd of people stood and stared. They'd seen his face before Nobody was really sure. If he was from the House of Lords  A Day in the Life (Lennon & McCartney) While John Lennon was composing his section(s) of A Day in The Life, he had a copy of   The Daily Mail of 17th January 1967 open at the piano. This directly inspired the opening line .  I read the news today, oh boy. About a lucky man...   Lennon had a particular interest in the news that day through a personal connection to one of the stories. This concerned the coroner’s report on the death of  an Irish socialite, Tara Browne.  The Beatles had all known the young Guinness heir socially. He was a friend of Paul's brother, Mick and very close to Brian Jones of The Rolling Stones. The barbed reference to his wealth and privilege ('luck man') hints at an ambivalent attitude on the writer's part. On December 18 1966  Browne die

The Walrus and the Carpenter  -  illustrator  John Tenniel Sexual suggestion is present in several early Beatles songs ( Please, Please Me, Norwegian Wood, I Wanna be Your Man, From Me to You). They liked to insert rude jokes (the tit, tit,tit  backing vocal on Girl being a blatant example) while leaving room for  plausible deniability. Two lines in  I Am the Walrus,  the first new song written after the death of Brian Epstein   stepped across the unacknowledged line. Crabalocker fishwife,  pornographic priestess Boy, you’ve been a naughty girl, you let your  knickers  down No knickers It was the precise form of words rather than the lewd overtones that caused problems. The Beatles might have got away with  pornographic priestess  as word play but   knickers  was strictly  verboten .  The  BBC had Victorian standards of prudery  when it came to that item of clothing. The 'ban' consisted of playing the alternate A-side, Hello Goodbye, which was shorter and more radio friendly. F