Beatles FAQ

Beatles go 'capo-crazy' on Rubber Soul A capo raises the pitch of stringed instruments including guitars and ukuleles. They are generally used to either make a chord progression easier to play or to match the vocal range of a singer. Famously Cilla Black failed her first audition for Brian Epstein because the The Beatles backed her in a lower key than she could manage. The three Beatle guitarists were familiar with capos from an early stage - Buddy Holly often played with one. It has been speculated that John uses one on 'You've Got to Hide Your Love Away' on Beatles For Sale to channel Bob Dylan. In an era without YouTube tutorials to encourage accurate copying, the capo offered an alternative route to a distinctive sound. Going Capo crazy on Rubber Soul Rubber Soul marks a departure point for The Beatles, where they experiment with creating a new more musically complex sound. One of the tools they use heavily is the capo - both John and George use it on the 2nd fr...

"one of the Beatles most dispensable items". [8] Run for Your Life’, I always hated ... because it was a song I just knocked off Lennon Remembers Few would argue with this assessment. Thomas Ward diplomatically suggests that it is one of the Beatles most dispensable items".[8] while Ian MacDonald is characteristically forthright ('a dismal track'). 'Run for Life' was the first song recorded for what would become Rubber Soul. It was 'knocked off' during a break between the filming of Help and their return to Abbey Road in October 1965. Words One reason Lennon was later embarrassed by the song was what MacDonald calls its 'lazily sexist lyric'. Even allowing for the different social climate, 'you better run for your life ... or that's the end' has an unpleasant menacing edge. The words and the sentiment came from the old Elvis song 'Baby, Let's Play House'. There was a line on it; I used to like specific lines from...

Nam Ngô Composition has always been  an instinctive process for Paul McCartney, with inspiration coming from unlikely sources:

Indian restaurant scene from Help! (1965 The first time George Harrison saw a sitar was on the set of Help in April 1965. A group of Indian musicians had been recruited to add an authentic Indian ambience to the restaurant scene. They played a  a Beatles medley ('Another Hard Day’s Night')   using  sitar, flute, tabla, ghunghroo and tanpura.  These session musicians performing Beatles songs in an Indian style were also being employed for comic effect but to his surprise, Harrison found himself entranced by the sound. ‘George was fascinated by the instruments they used,’ John Lennon later reported. He wanted to hear more and over the next few months Harrison began researching traditional Indian music.  Ravi Shankar The Beatles guitarist discussed his new interest with David Crosby, who toured the UK with The Byrds in August 1965. Crosby told him about Ravi Shankar, then virtually unknown outside India. Crosby also lent Harrison a Shankar LP that he ‘carried in hi...