Beatles FAQ

  John Lennon put his voracious newspaper reading to productive use in 1967. In January a story about the death of his friend Tara Browne appears in A Day in the Life. Six months later a throwaway story about the divorce settlement of 'an exceptionally mean man' provided another song fragment. Mark Lewisohn has done extensive research into the back=story of former civil servant Mr John Mustard. This certainly not the case with Lennon who seems to have been a little embarrassed about the the source. In on of his last interviews he describes Mean Mr Mustard as 'garbage'. Earlier  he had referred to it as 'just a piece of crap I wrote in India.' This dismissiveness is perhaps partially the result of his frustration of being unable to finish the song. It would be two years before it was completed and found a home in the medley on Abbey Road. To do this Lennon built in a link with Polythene Pam by changing the name of John Mustard's siser . An alternative theory

The George Martin who the Beatles first met in 1962 presented as Professor Higgins to their Eliza Doolittle. With his smart suit, upper class (southern) accent and courtly manners he appeared to be what Brian Epstein described as “a stern but fair-minded schoolmaster”.  Martin's initial hesitation was due to their personal presentation as much as their musical shortcomings he wasn’t sure about .... shaggy hair, Liverpool accents .... their beat-up gear .... {their}studio professionalism ... source According to Womack, this may have been rooted in his own ‘hidden’ background. For while The Beatles cheerfully conceded what Mark Lewisohn describes as 'their unvarnished working class roots', Martin carefully concealed his.  According to Kenneth Womack's biography,  Maximum Volume  (2017), the suave, sharply dressed producer came from  ' a family that had no electricity or running water and had one gas jet.' George Martin - the early years (3 minute free read) T

Despite their local success in Liverpool and Hamburg — and Brian Epstein’s best efforts — The Beatles struggled to get their first recording deal. Columbia, HMV, Pye, Philips, and Oriole all turned them down. Dick Rowe at Decca signed Brian Poole and the Tremeloes in preference, famously added insult to injury ‘Guitar groups are on the way out, Mr Epstein’. After the failure of the Decca audition, Brian Epstein was running out of options. Early in 1962 he managed to get a meeting with George Martin, the manager of Parlaphone Records, an eclectic label owned by EMI. Martin was more charmed by the Beatles manager than their music. “I wasn’t too impressed with the tape Brian Epstein had played me,” Martin  told Desert Island Discs in 1996 . “There was something there but I couldn’t find out whether it was worthwhile or not.” Read full story here   5 minute free read

'a combination of Roy Orbison and Bing Crosby' with improvements via George Martin

Was Please Please Me The Beatles first UK Number One? At the end of the lengthy recording session for the single version of Please Please Me  George Martin turned to The Beatles and said, 'Gentlemen, you have your first Number One!' George was rarely wrong about anything but in this case the jury is still out. 

  Usually referred to as a Shiirelles' song but written by Bacharach, Dixon & (Mack) David Though the names Bacharach and The Beatles were often referred to in tandem, they never worked together directly. The Beatles did record 'Baby It's You', a staple from their early live act and the older songwriter's influence is apparent in McCartney's ballads.  This most apparent in the song that Paul wrote for Cilla Black, "Step Inside Love'.  Cilla was by this point closely associated with Bacharach and (Hal) David - famously enticing the great songwriter to Abbey Road in order to supervise the epic recording session for 'Alfie'. Read full story (free 3 minute read on Medium)

I n February 1964 The Beatles arrived at  Kennedy Airport on their first official visit. For three of the four member of the group their first experience of the USA was the sight and sound of thousands of screaming fan. Only George Harrison had crossed the Atlantic Ocean before, on a solo visit five months earlier. In September 1963, The Beatles were given a short break in their manic schedule. While the others holidayed in Europe, George Harrison travelled to rural Illinois to visit his older sister, Louise,. Accompanied by his brother, Peter, George flew to New York and then on to St Louis. Louise then drove her brothers to her new family home in Benton, Illinois (pop.7,000). George with his siblings and niece in Benton, Illinois On the day of his arrival in Benton, The Beatles reached Number One in the UK record charts with She Loves You. But in the USA they had not yet charted and were almost completely unknown in America. There were no fan awaiting him at either airport and this w

    The Beatles first flew into New York in February 1964. They had what to many American ears was a charmingly fresh approach to the  English language.  Interestingly, this came across more in their spoken interviews than their lyrics. Early Beatles songs consciously followed the established 'American' style: 'I Wanna Be Your Man'.  In fact 'I want to hold your hand' (sung wanna)  arose from a direct request from Brian Epstein for a single tailored to the US market.  Atlantic Crossing Success gave The Beatles to licence (or license!) to 'Act Naturally' as Ringo sings. By the mid-Sixties British cultural and linguistic references permeate their song lyrics. Here are a small selection:  '...crawled off to sleep in the bath' ( from Norwegian Wood). This refers directly to the bathtub rather than the room. the (UK)  National Health Service  (from ‘Dr Robert’)  '...the  News of the World  (newspaper notorious for sex scandal stories  from ‘Polyt

'Evidence' of an alleged height disparity