Beatles FAQ

Was Please Please Me The Beatles first UK Number One? At the end of the lengthy recording session for the single version of Please Please Me  George Martin turned to The Beatles and said, 'Gentlemen, you have your first Number One!' George was rarely wrong about anything but in this case the jury is still out. 

In the film Help  The Beatles living together in the ultimate bachelor pad. Four doors lead into a miraculous shared space, with all mod cons. No boring housework to worry about.  Unsurprisingly, this fun palace bore little resemblance to The Beatles own living arrangements, past or present. Before they were famous, the band had shared countless dingy rooms and transit vans. They had never, however, formally lived at the same address.  Paul McCartney, conscious of his local reputation, was still officially living in his childhood home when he returned from USA in February 1964. Like his bandmates, the  22 year-old millionaire  had always relied on 'home' for  bed & board, plus laundry and poste restante. Even after he left Liverpool, he moved in with another family: that of his then girlfriend, Jane Asher London Brian Epstein finally moved The Beatles base of operations to  London in the summer of 1963. He arranged for them to stay at the Hotel President, near the British

Wedding photo

Tomorrow Never Knows took The Beatles into previously unexplored musical territory. Its use of tape loops, a mellotron, Tibetan chants and various Musique Concrete techniques were startling innovations for a mainstream pop record.  The title, however,  was inspired by a more homely source: I took one of Ringo's malapropisms as the title, to sort of take the edge off the heavy philosophical lyrics. Where did this  'heavy' philosophy come from? The Tibetan Book of the Dead via  The Psychedelic Experience by Timothy Leary and Richard Alpert (1964). Leary notoriously promoted the use of LSD as the key to what Huxley had termed the Doors of Perception.  Lennon discovered the  The Psychedelic Experience when browsing the shelves at the Indica Bookshop in London:  John began to scan the shelves. His eyes soon alighted upon a copy of The Psychedelic Experience, Dr Timothy Leary's psychedelic version of the Tibetan Book of the Dead.  John was delighted and settled down

For what was intended to be their final studio album, The Beatles decided to break with George Martin and the EMI/Abbey Road to approach to making records. They were open to new ideas - and with the characteristic abandon of the era went with one of  the maddest  proposed to them- a making-of-the-album documentary culminating in a live concert from Roman ruins in Tunisia.   “The Beatles were to start playing as the sun came up,” explained director Michael Lindsay-Hogg, “and you’d see crowds flocking towards them through the day.” Within weeks, however, this Spinal Tap style project had to be abandoned. Not only were they not flying out to Tunisia, they were even refusing to go to Twickenham to rehearse.  This left the film without big finish or indeed any finish at all. And the one thing everyone agreed upon was that filming needed to end quickly.  Then someone suggested "Why don't we do the concert right here?" So on the 30th of January 1969 the group - plus

Nearly sixty years on and there is still no settled answer to this question. We are now so familiar with the name— and its odd spelling — that it is often forgotten how exotic it seemed in the early 1960s.

Wimpole Street  “I woke up with a lovely tune in my head.  I thought, ‘That’s great, I wonder what that is?’  There was an upright piano next to me, to the right of the bed by the window.    I got out of bed, sat at the piano, found G, found F sharp minor 7th – and that leads you through then to B to E minor, and finally back to E.  It all leads forward logically.  I liked the melody a lot but because I’d dreamed it I couldn’t believe I’d written it. 

According to the delightful May Pang (John's girlfriend during his 'lost weekend') they did:

Saturday. "Friday Night arrives without a suitcase/Sunday morning creeping like a nun." Perhaps its part of that eight-day-week the Beatles introduced. Lady Madonna was McCartney's 'come-back' single after critics savaged Magical Mystery Tour. Musically, it's an impressive response, the boogiewoogie piano and handclaps combining to create an infectious driving sound.  Lyrically, it is less successful. The title was inspired by a magazine photograph of an African mother and child captioned Mountain Madonna. This image immediately runs into trouble with a very British reference to paying the rent. Then it turns bizarrely accusatory ('Did you think that money was heaven sent?') before losing all coherence in what Ian MacDonald calls 'acid tinged unreality'.  Macdonald particularly disapproves of the 'pointless allusion to I Am the Walrus' suggesting that this 'wanton self-mythologising ... in the context of the developing 'Pa