Beatles FAQ

Outside Paul's family home in the early 1960s Soon after first seeing them at the Cavern, Brian Epstein invited The Beatles for a formal meeting at his office. This was arranged for the afternoon of Sunday 3rd December 1961 at 4.30. Epstein wanted to manage the band but had doubts about their reliability and professionalism. The Beatles for their part had achieved success in Hamburg and Liverpool but had no record deal or national profile John, George and Pete took the bus to the meeting. They arrived on time - but after forty five minutes there was still no sign of Paul.  A call was made to the McCartney family home. This revealed that  Paul had just got up and was having a bath. Epstein exploded, "How can he be so late for such and important meeting?"     To which Harrison famously replied, "He may be late but he's very clean".  A frosty silence melted into laughter. Why was Paul so  late? On one level Paul's lateness was symptomatic of  what Epstein...

"I heard about them through a lad who was asking for a record by them in one of my stores, or my family’s stores in October 1961," Brian Epstein, 1964 Always diligent, Brian Epstein tracked down the record My Bonnie by Tony Sheridan and The Beatles, recorded in Hamburg. Staff informed him The Beatles, he learned were a local band who regularly played in a local club, close to the shop. Epstein decided to check them out Brian Epstein first saw The Beatles at the Cavern on November 9, 1961. He came backstage and then attended more gigs over the next few weeks. Then he told his brother he wanted to manage them. It was an extraordinary decision but Epstein's CV had followed an unusual trajectory. Before agreeing to manage the family business he had trained as an actor at RADA and his musical preferences were classical.  Epstein was also homosexual at a time when it was still illegal. This was not uncommon in the entertainment business but Brian appeared to court danger by hav...

"one of the Beatles most dispensable items". [8] Run for Your Life’, I always hated ... because it was a song I just knocked off Lennon Remembers Few would argue with this assessment. Thomas Ward diplomatically suggests that it is one of the Beatles most dispensable items".[8] while Ian MacDonald is characteristically forthright ('a dismal track'). 'Run for Life' was the first song recorded for what would become Rubber Soul. It was 'knocked off' during a break between the filming of Help and their return to Abbey Road in October 1965. Words One reason Lennon was later embarrassed by the song was what MacDonald calls its 'lazily sexist lyric'. Even allowing for the different social climate, 'you better run for your life ... or that's the end' has an unpleasant menacing edge. The words and the sentiment came from the old Elvis song 'Baby, Let's Play House'. There was a line on it; I used to like specific lines from...

The Beatles cheerfully sang 'Roll Over Beethoven' in their pre-fame stage show. The Chuck Berry anthem also appears on their second album. But if Ludwig was not safely out of copyright, his legal team would most likely have a solid royalties claim. In one of his last interviews, John Lennon revealed how the great German composer provided direct inspiration: I was lying on the sofa in our house, listening to Yoko play Beethoven's - Moonlight Sonata, on the piano. Suddenly I said, 'can you play those chords backwards'. The Beatles version retains the key and key change, plus the pattern of arpeggios. Lennon also added some bass notes and of course and a lyric which he claimed was ' clear, no bullshit, no imagery, no obscure references.' You won't find that kind of language in Fidelio but there is arguably a similarity of intent across the centuries. .

People always ask us how we sit down and write a song. Well, first we sit down. Then we write a song. 

  Despite their local success in Liverpool and Hamburg — and Brian Epstein’s best efforts — The Beatles struggled to get their first recording contract.

The last time The Beatles played together for an audience was in the famous rooftop performance in January 1969. This was not, however, a concert in the conventional sense, with tickets available to the public.  August 29th, 1966 — Candlestick Park in San Francisco The Beatles’ last ever US date proved a downbeat occasion. It was held in the Giants stadium, a particularly unsuitable venue. A huge fence separated the crowd from the band and there were chaotic dressing room arrangements. Despite the continuing popularity of the band, only 25,000 of the 42,000 seats were sold — partly because of high prices. The disconnect between young fans and now forbiddingly remote idols is made apparent by concert’s compere ‘Emperor’ Gene Nelson: Candlestick Park in August, at night, was cold, foggy and windy. …The Beatles were taking their time to get out. I was trying to entertain a crowd that was shouting, ‘Beatles, Beatles, Beatles.’ The dressing room was chaos. There were loads of people the...

Nam Ngô Composition has always been  an instinctive process for Paul McCartney, with inspiration coming from unlikely sources:

  John Lennon and Paul McCartney wrote a large number of songs in their teens - up to 200 according to some estimates. Many disappeared without trace - a Wimpole Street spring clean by Jane Asher put paid to a pile written on scrap paper.  Others, like Lennon's  'Hello Little Girl' f eatured in their live act but were then given to other artists to cover. These were generally off-cuts not deemed quite up to scratch, though arguably some like   'World Without Love ' and ' Love of the Loved'  deserved a seat at the top table.  Songs revived and recorded By  Beatles For Sale  Lennon & McCartney were exhausted and running out of new material. At this point Paul revisited  'I'll Follow the Sun'  which he had written in the year following his mother's death. “I wrote that in my front parlour in Forthlin Road,” McCartney told Mark Lewishon. “I remember standing in the parlour, with my guitar, looking out through the lace curtains of th...

John Lennon teases clue seekers and his bandmate  Written days after the death of Brian Epstein, the lyrics of 'I am the Walrus' have confused everyone, including their author - read full story here In his 1971  Rolling Stone  interview, Lennon tries to explain the McCartney reference in Glass Onion:  Here's another clue for you all. The Walrus was Paul.  Is Lennon teasing his bandmate? Or having a pop at the rapidly growing army of conspiracy theorists? Interestingly, Glass Onion was a genuine collaboration between John and Paul. The theme (an attack on the 'pseuds' over-interpreting Beatles' lyrics) sounds typical of Lennon but in fact came from McCartney. Their relationship was fraying but here they come together in a howl of complaint about how Beatles' lyrics were avidly scoured for hidden messages.   Ian Macdonald disapproves. He suggests that the 'sour A minor melody' and snarling tone of the song express the intent of they lyric" - a ...