Beatles FAQ

We didn’t sing our own songs in the early days — they weren’t good enough John Lennon We started as a little covers band Paul McCartney

Lennon and McCartney frequently named women in song titles - some real, some disguised, several invented. Lennon tried a generic shoutout with Girl, while the cautious George steered clear of naming and/or shaming/celebrating

On July 4th 1966 The Beatle played two concerts in the Philippines as part of what would be their final world tour. These took place over a single afternoon and evening  at the Rizal Stadium, Manila. 

The Beatles started by playing coffee bars, church halls and small family homes. By the time of their second US tour no standard music venue was large enough to meet the demand for tickets. So promoters like the legendary Sid Bernstein hired sports stadia.

Beatles go 'capo-crazy' on Rubber Soul A capo raises the pitch of stringed instruments including guitars and ukuleles. They are generally used to either make a chord progression easier to play or to match the vocal range of a singer. Famously Cilla Black failed her first audition for Brian Epstein because the The Beatles backed her in a lower key than she could manage. The three Beatle guitarists were familiar with capos from an early stage - Buddy Holly often played with one. It has been speculated that John uses one on 'You've Got to Hide Your Love Away' on Beatles For Sale to channel Bob Dylan. In an era without YouTube tutorials to encourage accurate copying, the capo offered an alternative route to a distinctive sound. Going Capo crazy on Rubber Soul Rubber Soul marks a departure point for The Beatles, where they experiment with creating a new more musically complex sound. One of the tools they use heavily is the capo - both John and George use it on the 2nd fr...

  Slim Whitman with his Gibson - the sound George aspired to.  George tried to teach himself [the guitar]. But he wasn’t making much headway. ‘I’ll never learn this,’ he used to say. I said, ‘You will, son, you will. Just keep at it.’  Louise Harrison, mother of George

Paul & Mary McCartney Paul McCartney has recently suggested a ‘subconscious’ inspiration for the line I said something wrong/Now I long for yesterday  was his regret at once chiding his mother for ‘talking posh’:

  A special Christmas present

  In Glass Onion John Lennon writes 'Here's another clue for you all/The Walrus was Paul'. What did he mean?

The Beatles leave Candlestick Park On August 29, 1966 The Beatles played their last (official) live concert at Candlestick Park in San Francisco.  The Candlestick Park concert was on the surface the triumphant finale of another record-breaking tour. But as Paul McCartney has recently said, it also proved a crisis point: By then we were totally fed up and then they put us in the back of a stainless steel box { the armoured car they used to leave the Candlestick Park gig }...  Now this is like some weird sci-fi thing form 2001 or something. We’re suddenly sliding around in the back of the van...The guys, John [Lennon] and George [Harrison], had been a little {fed up} about touring and, finally, all of us, were like ‘Fuck this!’ So that was the moment. There was no public announcement and no definitive decision to stop all live performance at some point. But The Beatles would never play a scheduled concert again. Back to Abbey Road Liberated from their grueling tour...

B eatlemania in the UK spread with astonishing rapidity.

There are 87 people and props on the cover of Sergeant Pepper

John Lennon never showed much affection for The Beatles most celebrated album. Was this because the  Sergeant Pepper concept was Paul's?  Not according to what John says in this interview, recorded in 1971, at the height of his feud with his former song-writing partner: 

'We were cowards when we sacked him'  John Lennon

Wimpole Street  “I woke up with a lovely tune in my head.  I thought, ‘That’s great, I wonder what that is?’  There was an upright piano next to me, to the right of the bed by the window.    I got out of bed, sat at the piano, found G, found F sharp minor 7th – and that leads you through then to B to E minor, and finally back to E.  It all leads forward logically.  I liked the melody a lot but because I’d dreamed it I couldn’t believe I’d written it. 

Graphic designer Viktor Hertz has created a remarkable tribute to The Beatles. Each pictogram represents a song.  How many Beatles songs can you identify?

In 1962 Capitol Records, the sister company of EMI, were offered the opportunity to release the first Beatles singles in the USA. But because British acts typically had little success in the American market Capitol turned the opportunity down.  It was two small  companies Vee-Jay Records and Swan who saw some potential for American sales.  Vee-Jay Records? Vee-Jay Records were a small Chicago label, specialising in soul records. They signed The Beatles in order to secure a bigger star: Frank Ifield. As part of the deal Vee-Jay released Please Please Me in February 1963.  With promotion on local radio stations Please, Please Me crept up to number 35 in the Chicago chart. But the song did not register nationally Cold Feet Despite this Vee-Jay scheduled the release of the first album ('Please Please Me' in the UK) for July 1963. With Beatlemania building in Britain, This seemed a very shrewd move until the release was suddenly cancelled without warning. I...

In June 1966 the great Indian musician Ravi Shankar visited George Harrison at his Surrey home - and played for the assembled Beatles. Two months later they recorded George's composition I WANT TO TELL YOU.  Harrison later explained that the song expressed 'an avalanche of thoughts that are so hard to write down or say' and Ian Macdonald spots the 'underlying Hindi outlook in the lyric - a karmic reference to time in the final lines ... confirmed by a descending melisma in the fade out'.  Neil Innes - who later collaborated with George Harrison on the celebrated Beatles spoof mockumentary  The Rutles   - happened to be in Abbey Road Studio as they were recording. He tells the story here:

George Martin was initially unconvinced that Lennon & McCartney could consistently write hit songs. For their second single John Lennon put forward Please Please Me - his attempt to channel Roy Orbison. Again the verdict was a resounding thumbs down: I listened to it and I said: 'Do you know that's too boring for words? It's a dirge. At twice the speed it might sound reasonable.' They took me at my word. I was joking and they came back and played it to me sped up and put a harmonica on it. Impressed by the dramatic improvement, George Martin agreed to give the song a second chance. He was not to regret his decision:  We worked for ages on their new version of 'Please Please Me', and I said: 'Gentlemen, you're going to have your first #1. Source: Interview with George Martin, The Observer Music Monthly, 2006